Thursday, August 30, 2007

The Lovely Reactions

In the novel The Lovely Bones, it is the reactions of the characters to Suzie’s death that show their true colors. When Jack Salmon, Suzie’s father, finds out she is dead, it completely consumes him. He becomes obsessed with catching his daughter’s killer because he feels that in some sense he can make it up to Suzie for not protecting her enough by catching the murder. I believe that this reveals the father’s humanity because the loss of his first child has hit him so hard it eventually becomes what drives him. He has no one to reach out to to help him deal with the loss for two reasons; the first being that he is the father and therefore must be the strong one to help his family get through this. The second reason is his wife Abigail becomes so completely overwhelmed by Suzie’s death that ultimately she has to sever all ties with her family to overcome the shock. Suzie’s murder also causes Jack to become understandably more protective of his other two children Lindsey and Buckley, “Before leaving the house, my father checked on Buckley—to make sure, to feel the warm breath against his palm.” Although as time goes on and people get on with their lives, it seems that he never completely overcomes Suzie’s death, but rather it is always sitting there in the back of his mind.


Suzie’s sister Lindsey is another character who reacts to Suzie’s death in a while that I think most teenagers do when someone close to them dies; she shuts people out. When Lindsey finds out her sister is dead she is so shocked she becomes frozen. When talking to her principle about her playing soccer, Lindsey mentions Suzie’s murder as casually as the morning weather. Cold and distant, Lindsey emotionally secludes herself from everyone, including her father when he tries to find comfort in her, “‘What? she said. Her face was rigid, an affront . . . ‘I want to know how you are,’ he said . . . ‘I’m handling this alone.’ He looked at her and could of said ‘I’m not, I can’t. Don’t make me,’ but he just stood there.” I feel like Lindsey is taking the “If I don’t talk about it or think about it, it’ll go away” approach to dealing with Suzie’s death. She does not begin to open up until Samuel Heckler reaches out to her and gives her the necklace for Christmas. Lindsey realizes that it would not be fair to Suzie to entirely shut down. After Lindsey begins to recover and move on from Suzie’s death, there is a brief moment where she too becomes focused on catching her sister’s killer, although not to the extent that her father does.

Both of these characters deal with grief in a way that reveals their characters. Alice Sebold humanizes her characters in The Lovely Bones by having them feel pain and make mistakes, for those are some of the things that separate the mortal from the immortal. Jack tries to relieve the guilt of having let his daughter down and Lindsey works to accept and move on with her life after loosing someone that was so close to her. (537)

Tuesday, August 28, 2007

Natalie's food for thought.

Dear Mr. Coon, you described my relationship with reading perfectly in class today when you used the roller coaster analogy. From the age of about eight to roughly fourteen I was an avid reader. Mostly I stuck to age appropriate books, but when I began my teenage years I started to drift toward the gossipy novels my Mom would and still calls “junk food for the mind”. When I entered high school, my reading roller coaster plummeted. Swamped with papers, tests, and required books, I stopped reading on my own except for the occasional short paperback book over the summer. However this summer I went out on a limb and along with my required books for school, I somehow managed to read two books that were not on the list.

My taste in reading genres is colorful to say the least. I now find myself agreeing with my Mom and am avoiding the “junk food” books like the plague. Instead, I lean more towards historical fiction. I like this genre because I learn something interesting and at the same time still have the juicy scandals without the book falling into the “trashy supermarket novel” category. Two historical novels I read this past summer were Water for Elephants by Sara Gruen and Close to Shore by Michael Capuzzo. The first novel tells the story of a young immigrant and his experiences in the chaotic world of a traveling circus. Along with chilling murders and promiscuous relationships, the author wove in historical facts and accounts of circus life. The other novel, Close to Shore, recalls the horrifying shark attacks of 1916 that Peter Benchley had used as the basis for JAWS. I was particularly fond of this book because it satisfied my inexplicable fascination with sharks.

I believe it is a fair argument that my reading status is similar to a double-edged sword. Although my taste has definitely matured and I am moving towards more sophisticated books, I clearly do not read as much as I did back when I was thirteen and clutching the latest Sisterhood of the Traveling Pants. This year though, I hope to finish a book that does not contain graphs or a list of vocabulary words, but rather one where I do not mind staying up all night to finish it. (383)